Musicophilia

[Sensory Replication No. 5] – ‘The Somnambulist’ (1908-2007)

Posted in Mixes, Talking by Soundslike on December 17, 2008

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I’ve never really understood the practical reality of sleepwalking, but the idea has undeniable mystique.  Mainly what I’ve wondered is how the body’s action and interaction with its environment fails to jar the somnambulist into a conscious state.  I guess the case isn’t that one is actually asleep, but simply that the conscious, memory-forming parts of the brain are not engaged.  I take this to mean that in essence, the physical world has become as a dream, and the somnambulist’s actions in it equally as ethereal, incapable of inducing standard awareness.  This is the basis for this mix, then: to guide a virtual, thrill-seeking adventure in somnambulism; no walking to the bathroom or making a sandwich here, but rather, roaming through a dream-world made physical, full of strange landscapes, ghost-figures, fogs and miasmas, echoes and shouts, fear and beauty.  Like in a dream, nothing can quite be held in focus, and the laws of physics bend to the laws of imagination.  Like in the world of a somnambulist, the unremembered physical world becomes an imagined place of shadows, however solid it was before sleep arrived or will become again in the morning.

‘The Somnambulist’ is the third posted mix in the ‘Sensory Replication‘ series, which seeks to create an immersive aural environment through the dense intermingling of a large number of individual tracks, treated as source material.  For the first two mixes posted and a greater exploration of the impetus for the series, look here.  This mix is particularly dense, with sixty artists represented in just under forty-two mintues.  If you listen casually, you will still recognize music here: a “spine” of central tracks emerges more or less recognisable and intact.  But the point here isn’t any individual component, as there are often four, five, six or more bits of “source material” comingling, lurking around the edges, fading in and out of earshot in the landscape; solos, duets, trios emerge and recede.  The hope is that you will take the time to listen without distraction, letting all your usual sensory inputs other than hearing fall aside, to see how fully your ears alone will compensate.  I pretty regularly find myself standing on a city corner or in a laundry geeking out to the sounds around me, just shy of being brave enough to be that crazy guy who closes his eyes and stands still for a few minutes amongst the activity.  So this is a chance to just-listen freely, set in the most bizare bazaar of movement and interaction one could hope for.

Represented in the ether of sound are people like This Heat’s Charles Hayward; Dick Raajimakers; John Cage; Burning Star Core; Luc Ferrari; John Cale; His Name is Alive’s Warn Defever; Tod Dockstader; Funkstorung; Tortoise; Shuggie Otis; Miles Davis; Huun Huur Tu; avant-garde extra-Beatles George Harrison; Burial; Klause Schulze; Autechre; Pharoah Sanders; Maurice Ravel; Agitation Free; Deadbeat; Iannis Xenakis; Stockhausen; LaMonte Young; Steve Reich; Can’s Holger Czukay; Tony Conrad with Faust; Tibetan Buddhist monks from Bhutan; 23 Skidoo; Kraftwerk; Neu; Daniel Menche; Rhys Chatham; Peruvian folk musicians, and many others.  But I encourage you not to trainspot, at least the first listen.  Full tracklisting and download link after “more…”.

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[Sensory Replication No. 2] – ‘Gloaming’ (1731-2005)

Posted in Mixes, Talking by Soundslike on October 27, 2008

Though it’s not the denotative meaning of the word, for me, “gloaming” connotes ambiguity, a tension between the waning day and encroaching night, a feeling that is beautiful yet tinged with some regret or trepidation—there’s more complexity and mystery to it than a simple synonym to “twilight”. And that beautiful tension is the feeling I’ve tried to create here, as well as a concept that informed the methodology behind the mix (more on that later). ‘Gloaming’ is the second mix I made seeking to create quasi-binaural “field recordings,” to create an immersive journey through an almost physical space constituted of (mostly) musical sound. (For convenience, I’m calling such mixes the “Sensory Replication Series,” an idea explored in somewhat greater detail here). You probably already know most of the artists featured in this mix—Tangerine Dream, Tony Conrad, Mozart, Xenakis, Keith Jarrett, Reich, Cage, Bjork, Eno, Low, 23 Skidoo, Holger Czukay, Vivaldi, Cluster—but I hope that the combinations, contextualisation and sum total make something you haven’t quite heard before. (I’d also like to make special mention of the track “Heathering Blues” by “unknown” Matt Anders, definitely the most emotionally satisfying thing I’ve ever known to originate with Fruity Loops)

This is my favorite short mix I’ve made so far, and despite its brevity (less than twenty-eight minutes) it feels like a full journey. It’s more or less the opposite of the spastic flailing of the ‘Miniatures : Post-Punk’ mixes, in that each section leads very much to the next, and there is a careful and unhurried sense of direction at all times. But like those mixes, it’s a good way to get a lot of listening done in a short amount of time—though this is “headphone listening” to be sure, not so suited for cruising down the highway or running errands. While I’ll tag it “avant-garde,” if you were to try any mix such tagged as a way in, it would be this one. A little more rambling, the tracklist, and full download after the “more…” link. If you do find you like this one, then check out the first posted ‘Sensory Replication’ mix posted here.

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[Sensory Replication No. 3] – ‘Collide\Coalesce’ (1950-2004)

Posted in Mixes, Talking by Soundslike on October 6, 2008

‘CollideCoallesce’ is the third mix in an ongoing series of heavily edited and crafted mixes wherein many elements are layered, combined, remixed/dubbed, or otherwise altered into (hopefully) a singular whole. It’s not quite easy listening, but it’s more accessible than the unwieldy tracklist might suggest. Featuring mostly giants in areas of experimental, electronic, a little jazz, post-punk, and ‘world’ music–Can, Cage, Suicide, Bjork, Stockhausen, OMD, Bill Evans, Reich, Autechre, Dave Brubeck, Miles Davis, This Heat–the mix nevertheless aims to recontextualise all of these to a degree that makes hearing them here a unique listen for avid fans and neophytes alike. The aim is to create something akin to a 3D sound environment, something like a binaural recording, wherein a stereo signal is perceived with full spacial depth. Of course, this isn’t really possible–but I’d like to hope that if one listens to as many elements as carefully arranged as this, it becomes something close to multi-sensory immersion, hence the ‘Sensory Replication Series’. Notes, tracklist and download beyond the break.

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