Musicophilia

[Miniatures Series] – ‘Les Miniatures, Volume 14’ (1972-1975)

Posted in Albums, Mixes by Soundslike on April 14, 2009

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After an unintended hiatus, Musicophilia’s “reissues” of the Musique du Monde label are back, with the first of three more “10-inch LPs” from the ‘Les Miniatures‘ series following Volumes 3 and 12: ‘Volume 14,’ drawing from the years 1972-1975.  As with all the mixes in the broader Miniatures Series, the aim is to cover a lot of ground in very little time: all tracks are two minutes or less in duration; and the mixes are around 30 minutes total.  The ‘Les Miniatures‘ mixes are like morning commute-length portions of the 2xLP-length ‘Le Tour du Monde‘ mixes, so anything goes as long as it’s got a groove: funk of myriad permutations from New Orleans to Philly to France to Yugoslavia; musique concrete, psychedelia, singer-songwriter, sound library and soundtracks, proto-punk, Krautrock, early electro-pop, jazz, Tropicalia, and a little of the simply unclassifiable.  You’ll find the familiar and the new, each hopefully adding something to the experience of the whole.  (If you’ve been visiting Musicophilia primarily for the post-punk, I invite you to take a chance on some of the Musique du Monde stuff–it may be worlds apart from post-punk in some regards, but for my money, this is where the coolest sounds in the world were happening, presaging the radical artistic fecundity of the post-punk years.)

Franco Battiato – “Cariosinesi”  (1972)

Shuggie Otis – “Happy House” (1974)

Making up the thirty minutes of this mix are twenty artists from seven countries.  The better known include Marvin Gaye, The Residents, Kraftwerk, Big Star, Barry White, and Brian Eno.  Less well known in the U.S. but heroes elsewhere are Bernard Parmegiani (probably my favorite artist working with electro-acoustic experimentation), Franco Battiato, Brigitte Fontaine & Areski, The Aggrovators, Popol Vuh, the Soft Machine’s Hugh Hopper, and Roxy Music’s Bryan Ferry.  Finally there’s key sound library figure Janko Nilovic; funk-pop prodigy Shuggie Otis; savant-garde group Penguin Cafe Orchestra, Curt Boettcher (of The Millenium, Sagittarius and the SoCal sunshine pop scene); and soundtrack maestros David Snell and Karl Heinz Schafer.  If you like what you hear, there’s plenty more where that came from: nine other Musique du Monde volumes so far, and several more in the coming weeks and months.  Full tracklist, “liner notes,” and download link after the “more…” below.

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[Miniatures Series] – ‘Les Miniatures, Volume 3′ (1967-1971)

Posted in Mixes, Talking by Soundslike on November 27, 2008

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‘Les Miniatures, Volume 3’ is the second mix in the ‘Les Miniatures‘ series, fifth in the ‘Miniatures‘ method. For more information and the first download, check here. In short (appropriately) these are mixes in the musical style of the globe-spanning, late-60s-to-mid-1970s sound-collecting ‘Le Tour du Monde’ series—but with every track coming in at under two minutes in length, and each mix under forty minutes (like the ‘Miniatures: Post-Punk‘ mixes did for the years 1976-1983). So give them a whirl—you don’t have much to lose, not even much time.

This volume features some very well known names like the Velvet Underground, Bob Marley, Ennio Morricone (though not in his better-known Spaghetti Western mode), Serge Gainsbourg, Syd Barrett, King Crimson and Nick Drake. But it also emphasizes the less-knowns like Sagittarius (for fans of the Beach Boys, The Millennium, or California sunshine pop in general); library hero Roger Roger (of Stringtronics’ ‘Mindbender’ “fame”—seek that one out) and other sound librarians like Oskar Sala, Roland Kovac, and Reg Wale; weirdos like Red Noise, Pearls Before Swine and the ever-wonderful Shaggs; Krautrock stalwarts Amon Duul II and Kluster (in their pre-electro Cluster, more cosmic abstraction days); and lovely Turkish Les Mogol (aka Mogollar) and Japanese artist Hiro Yanagida. Twenty artists and tracks, two “sides,” thirty-one minutes, nine countries—and I’ve got three more like this one nearly ready, so keep your ears open. Full tracklist and a download link to the mix with cover art and “liner notes” following the “more…”.

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[Miniatures Series] – ‘Les Miniatures, Volume 12’ (1971-1975)

Posted in Mixes, Talking by Soundslike on November 24, 2008

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‘Les Miniatures’ is a new series of mixes combining the methodology of the ‘Miniatures’ series— sub-two-minute track lengths and sub-thirty-minute mix lengths—with the aesthetic and musical forte of the ‘Le Tour du Monde’ series. So you’ll hear sound library tunes, krautrock, psychedelia (especially in the Canterbury mold), proto-punk, a little singer-songwriter, funk (and Eurofunk), tropicalia, perfect pop, early electro-pop and musique concrete. You’ll hear artists from around the world, and more of those strings, those beats, those leaping bass lines, those production flourishes that could only have come from the brilliance of the 70s. A full helping of all of this—in thirty minutes or less. I’ve got four further volumes of ‘Les Miniatures’ finished. The five volumes feature over 100 artists and tracks, and they’ll be coming soon. In the meantime, check out the original ‘Le Tour du Monde‘ mixes for a more in-depth exploration of what’s going on here; or the post-punk-oriented first three volumes of the ‘Miniatures‘ series.

This first-issued volume of ‘Les Miniatures’ features heavyweights like Faust, Curtis Mayfield, Kevin Ayers, Sun Ra, Serge Gainsbourg, Paul Simon, Sly & The Family Stone, Lou Reed, Robert Wyatt and John Cale. But given equal time and weight by France’s ever-eclectic Musique du Monde label are cult figures like Henry Cow, Erkin Koray, Gil Scott-Heron, and barely-heards Seesselberg, Joe Ufer, Orchester Fritz Maldener, Sammy Burdson Group, and Franco Bixio. [I thank the blogs linked in the right column for introducing me to several of these—do yourself a favor and let this mix send you digging amongst the “primary source” blogs, they’re doing the heavy lifting.] Full tracklist and download (including full “album sleeve,” liner notes, and “reissue” notes) follow the “more…” link.

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[Miniatures Series] – ‘Lullaby No. 2’ (1903-2004)

Posted in Mixes, Talking by Soundslike on January 19, 2009

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The second ‘Lullaby’ mix in the ongoing Miniatures series is (like its predecessor, the early-70s-oriented ‘Les Miniatures‘ mixes and the ‘Miniatures : Post-Punk’ mixes) an exercise in maximum variety in the minimum span of time.  So in roughly thirty-one minutes, you’ll hear twenty tracks all less than two minutes in duration, showcasing spare guitar sketches, folk whispers, one-line stories, minor-key Brazilian jazz, a plaintive Country reproach on the state of your soul, and singer-songwriters and indie-rockers and Jamaican folk-singers and Psych-popsters singing songs of regret and nostalgia.  And that’s less than half of it.  It all adds up to a nap-length dream of sweet simplicity, a little reverie tinged with sadness, before a far happier day tomorrow.

Heard here in miniature are John Cage, Astrud Gilberto, Colin Newman, Mike Redmann, the Shaggs, Tom Waits, Hank Williams, Built to Spill, Sam Phillips, Neil Young, Vashti Bunyan, Stan Getz with Charlie Byrd, Penguin Cafe Orchestra, Ravel, John Fahey, The Zombies and Uncle Tupelo, as well as folk musicians from Jamaica and Peru.  Full tracklist and download link are after “more…”.

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[Mega-mix] The Best of ‘Les Rythmes du Monde’ (1977-1981)

Posted in Mixes, Talking by Soundslike on January 12, 2009

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Note: Volume 4 has been down, and has been replaced with a new upload and a new download link.

‘Le Meilleur de Les Rythmes du Monde” represents the natural progression in the compilations of the Musique du Monde label from the late 60s/early 70s to the late 70s/early 80s.  Funk bass, latin percussion, soul breaks, electronic and musique concrete experimentation, sound library and soundtrack string flourishes, dub production, perfect-pop tunefulness, Kraut-rock drive—these are the key ingredients of the earlier ‘Le Tour du Monde‘ compilations.  And these sources make up the DNA of ‘Les Rythmes du Monde,’ as it mutates into disco, electro-pop, New Wave, post-punk and electro-disco.  If you know you love Giorgio Moroder, you’ll find a feast to devour here—all the vocoders, four-on-the-floor beats, sexuality and sensuality, stories of robot love, trips through outer space, and comic book science you could want.  But these mixes are not kitschy, so if you don’t know if you love Moroder, you don’t know if you can lose yourself in the beat—this mix will try its best to sway you, and it may well sweep you off your feet.  This is cool as cool as the iciest post-punk—and twice as fun as most.  It’s a 4xLP set, featuring over 200 minutes of music, much of it beatmatched; fifty-two artists and fifty three tracks from twelve countries and four years, 1977-1981.  It’s my biggest single-shot undertaking since the ‘1981‘ set, a long while in the making.  I hope you’ll enjoy it, and pass it on to friends who need to see the (disco-ball-refracted laser) light.

Italians do it better with il maestro Giorgio Moroder twice, and further featuring his indelible production for Three Degrees, Donna Summer, Munich Machine, and Sparks.   Telex are here, as well as related projects Transvolta and Electronic System; and fellow Belgians Trevor and Geoff Bastow, and pre-Honeymoon Killers Aksak Maboul.  Many of Daft Punks French forefathers are here:  Moon Birds, Space Art, Droids, Roland Bocquet, Jean-Phillippe Goude, Heldon, the elusive Black Devil, Venus Gang and Francis Rimbert.  Germany brings us godfathers Kraftwerk and Can (from their underrated late work), with  Tangerine Dream’s Peter Baumann-crafted Leda, Gina X Performance and Liaisons Dangereuses.  From Japan, Akira Sakata, Yellow Magic Orchestra and solo work from Ryuichi Sakamoto and Haruomi Hosono.  Brits found here include Human League splitters B.E.F. and pseudonymic League Orchestra Unlimited; as well as Depeche Mode, Gary Numan, This Heat (with the seminal “24-Track Loop”), Ultravox’s John Foxx, XTC’s Andy “Mr.” Partridge, and Tortoise-blueprinting Brian EnoGrace Jones is here (Jamaican-American), along with South Africa’s Hot R.S. (with an unlikely but amazing cover of “In A Gadda Da Vida,”) Australia’s Essendon Airport, Canadian proto Hi-NRGers Lime, and the Soviets Zodiac.   The USA rounds it out with heros Patrick Cowley, Prince, Marvin Gaye, Hamilton Bohannon, Funkadelic, and Suicide; with lesser knowns Industry (whose psycho proto-jungle will blow your mind), Chromium, and hardly least, Arthur Russel’s Loose Joints.  This set is dedicated to my friends at the Rhythm Room, who’ve spun this web for years, and without whom I would’ve spent years in the musical wilderness without any of this music.  Let me know if you enjoy these mixes, and if you’re already in the know with these “Rythmes,” I’d love to hear any suggestions for further exploration.  Full tracklist, sleeve notes, reissue notes and FOUR download links (with complete album art) follow “more…”.

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[Miniatures Series] – ‘Lullaby No. 1’ (1957-2004)

Posted in Mixes, Talking by Soundslike on January 5, 2009

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While rather more ambitious things are afoot, I thought we could start the new year on a mellow note.   So the ‘Miniatures‘ series is continued with ‘Lullaby No. 1,’ the first of two such mixes currently completed.  The structure is the same here as on previous ‘Miniatures’ mixes: two-minutes-or-less track lengths, and mixes under forty-five minutes.  For the most part eschewing the post-punk sounds and Musique du Monde miasma of the previous ‘Miniatures’ incarnations, this mix follows its title with songs drawn mostly from the quiet, spare worlds of folk and singer-songwriter music, sprinkled with softer samplings of the avant-garde, indie rock, traditional “world” folk music, and even a little proto-punk.  So while this mix mostly whispers, it does so in a Musicophilia-style breadth of musical languages.

In just under thirty-one minutes, you’ll hear 21 tracks from those you’d predict, like Nick Drake, Jeremy Enigk (from his ‘Return of the Frog Queen,’ a minor chamber-pop masterpiece you shouldn’t overlook due to emo associations), Bob Dylan, Big Star, Syd Barrett, Willie Nelson, Low, Mark Kozelek, Leo Kottke, and Cat Power; and also from some you might not expect, like the Modern Lovers, Bjork, a Burmese choir, a Bali gamelan orchestra, Can, Moondog, Tyrannocaurus Rex, and Felt.  Download link and tracklist after the “more…” link.

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[Miniatures Series] – ‘Post-Punk No. 3′ (1976-1983)

Posted in Mixes, Talking by Soundslike on October 24, 2008

Here’s the third and final (for now) mix in the ‘Post-Punk’ subset of the ‘Miniatures’ series–another very short mix (<35 min.) of very short tracks (<2:00). And this one is the best yet, in my opinion. It’s a rocket-fueled midget submarine race, featuring more of the Big Names–Wire, ESG, Devo, Pere Ubu, Suicide, XTC–and more of the should-be-big names, like the MX-80 Sound, the Diagram Brothers, Arthur Russell’s Dinosaur L, Jaki Liebezeit’s Phantomband, pre-awfulness (quite good actually, those first few albums) Simple Minds, RIO-licious Debile Menthol, Pyrolator, Dalek I, and more. You probably have the idea down already–if not, don’t miss No. 1 and No. 2. Between the three, you can try out seventy bands and artists in a little over a hundred minutes. Full tracklist and download link after the “more…”.

Coming soon to Musicophilia: another of the ‘Sensory Replacement’ series (which also happens to be a brief mix) of heavily “texture-matched,” segued and intermeshed sounds; another ‘Le Tour du Monde’ set featuring music from 1972-1974, and another focusing on 1975-1978; and ‘Miniatures’ mixes from genres other than post-punk. Hopefully within a month or two, I’ll be honored to feature guest mixes from friends covering territory such as the unexpected and best Bob Dylan covers ever made, a mix featuring “a couple of favorite dark bossa tracks,” and another introducing Russia’s post-punk-new-wave that I bet is unknown to most of us (certainly to me). Stay tuned, let me know what you’d like to hear more (or less) of, and please contact me if you’d like to contribute.

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[Miniatures Series] – ‘Post-Punk No. 2′ (1975-1983)

Posted in Mixes, Talking by Soundslike on October 20, 2008

This is the second in a series of “miniature” mixes, and the second in the post-punk-oriented subset. The ‘Miniatures’ series feature all songs less than two minutes in duration, and mixes under forty minutes. ‘Post-Punk No. 2’ stretches slightly, back to 1975/76/77 and well outside the bounds of what is normally considered strictly “post-punk”. However, in any way other than a purely chronological utility, I’ve always found the name “post-punk” to be a term of convenience only, and ultimately a misnomer that obscures the fact that the “post-punk sound” was merely a continuation (and later a popularisation) of the arty, but non-virtuoso-oriented strains of rock music that have their roots with the Velvets, Stooges, Roxy Music, Canterbury scene stuff, Red Krayola, Residents, and other assorted weirdos and kooks. While it’s arguable there was something of a lull in this strain around 1976, it’s clear that what Pere Ubu or Devo or Brian Eno and David Bowie were doing in 1975 has more in common with the sounds and approaches to art-making of “post-punk” than with the (briefly) culturally more significant but musically impoverished “punk proper”.

Anyway–all that to excuse a little reaching; and an idea to explore more fully later on. This second volume features some big names–Bowie, Eno, Costello, Beefheart, Raincoats–but also plenty of potential new finds I hope, like the Stickmen, Rosa Yemen (Lizzy Mercier Descloux’s band), Crash Course in Science, Matthais Schuster, Aksak Maboul, and Family Fodder (for me, the quintessential post-punk band in the counter-Joy Division-knock-off mold). Full tracklist and download following the “more” link. Check out the first volume here; and the 3rd is going to be a doozy, so check back if you dig this one.

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[Miniatures Series] – ‘Post-Punk No.1’ (1977-1983)

Posted in Mixes by Soundslike on October 15, 2008

Designed for those days when your messageboard- and text-message- and blog-addled attention span is particularly hyperactive, the ‘Miniatures’ series feature all songs less than two minutes in duration, and mixes under forty minutes. Despite their brevity, every track tells a full-scale musical story-no mere interstitials here. Above all, fun is the name of the game.

So, the kinetic, herky-jerk, anything-went playfulness of the post-punk period seems the perfect fit to kick it off. So here is the first of three post-punk-themed mixes in the ‘Miniatures’ mold, featuring favorites like the Swell Maps, Scritti Politti, the Slits, Young Marble Giants; as well as lesser-knowns like Industry, the Homosexuals, Dif Juz, Voigt-465 and 100 Flowers. Full tracklist and download following the “more” link.

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[Musique du Monde] – ‘Le Nouveau Son’ – Vol. 4 (1969-1976)

Posted in Mixes, Talking by Soundslike on February 18, 2014

On my latest trip to Paris, in a little hole-in-the-wall in the Montparnasse, I chanced upon another forgotten compilation from the venerable Musique du Monde label, which has also given us the ‘Le Tour du Monde‘ series, ‘Les Miniatures,’ ‘Le Mystere de la Musiqe,’ and ‘Les Rythmes du Monde. . .  Ok, I admit it.  There is no Musique du Monde, sad to say (nor do I make it to Paris very often, sadder to say).  Truth is, these are some of the hundreds of tracks I’ve earmarked over the last few years (along with a few old favorites I never mixed before).  Making mixes with any regularity hasn’t been feasible, but I’ve continued to seek out new music as voraciously as ever.  Over the last few years I’ve had the good fortune to live in Portland, Rome, New York, Chicagoland and now New England, and I’ve collected the tracks I feature at Musicophilia at some of my favorite shops (Exiled, Soul Food, Rockit Scientist R.I.P., Dusty Groove, Weirdo Records).  These are some of the tracks that that have really stuck with me, and I think anyone who is still listening will be pleased.  Those unbelievable beats and hooks are there, as usual (some of the best, in fact), and there’s an emphasis on the synthesizer, but on the whole ‘Le Nouveau Son’ is an enchanting, mysterious an moody, late night affair.  The second disc especially enters deep into goosebump territory, the realm of the timeless.  I hope you enjoy–spread the word, and as always, please support these artists and the labels that reissue their work.   Tracklist and download after the “more…” link.  Edit: download link corrected.

Artists featured include Todd Rundgren, Silver Apples, Ananda Shankar, Eroc, 10cc, Amon Duul II (sounding rather post-punk, a la Television), John Cale, Syreeta (with Stevie Wonder), Duncan Browne, Hall & Oates, Sensations Fix, Catherine Ribeiro, Francisco (who also does quite amazing abstract work), Brian Eno, Placebo (whose Marc Moulin is the Zelig of Belgian art rock/jazz–look him up and you’ll see what I mean), Harry Nilsson, Marcos Valle, Roxy Music, Wolfgang Dauner, D.R. Hooker, These Trails, Tim Buckley, Franco Battiato, Michael Chapman, Jacqueline Thibault, and Comus (sounding nothing like you’ll expect, if you’ve only heard their first LP).

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[Musicophilia] – 20,000 mixes!

Posted in Talking by Soundslike on February 19, 2010

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Sorry for the lack of new mixes lately, everyone. The demands of planning for graduate school and other life-concerns have kept me from finishing mixes lately.  But I promise good things are afoot.  I’m working up multi-mix series focusing on Sound Library music, ‘issued’ under the Musique du Monde banner; another featuring more “post-post-punk” music that carries on the spirit and sounds of the post-punk pinnacle through the 80s to the 2000s; and an exploration of my favorite singer-songwriter music from the underrated early 70s period.  There are also new Le Tour du Monde and Les Miniatures mixes I need to finish up.  But odds are, there’s stuff already up you haven’t heard, so I recommend taking a look at the 52+ mixes that went up in Musicophilia’s first year–which I’m proud (and astonished) to say just went over 20,000 total listens earlier this week!  I sure hope that means people are hearing (and then buying) things they never knew before!  Thanks for listening and spreading the word.

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[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Three (1972-1977)

Posted in Mixes by Soundslike on October 6, 2009

Finishing up the ‘Le Mystère de la Musique‘ trilogy (for now) after ‘Volume Un‘ and ‘Volume Deux,’ I’m happy to present ‘Volume Trois,’ which visits a darker, moodier, but no less catchy territory.  As with previous volumes, the focus here is the mid-70s, and the music which links the ‘Le Tour du Monde‘ and ‘Les Miniatures‘ sounds with the ‘1981‘ and other post-punk work.   ‘Le Mystère’ blends art-rock, sophisticated funk, and artful soul with elements of dub, songwriter-noir, subtle fusion jazz, and even minimalist country, alongside music that belies the “post” in “post-punk”.

At the nexus of all the sounds on ‘Volume Trois’ is the proto-post-punk music (going to show how inaccurate the “post-punk” moniker really is) of Roxy Music and Pere Ubu, but things quickly expand far afield in terms of genre while maintaining these artists’ artfulness.  David Axelrod kicks it all of with some deep-groove funk that is simply irresistible.  Big Star and Bob Marley (in an instrumental dub treatment) brings things into the nighttime.  Stevie Wonder carries on the contemplative mood, while Ennio Morricone adds a dainty chamber orchestra touch.  Jorge Ben‘s emotional voice soars above his psychedelic orchestral tropicalia (which is in the emotional tradition of the music tristeza of Astrud Gilberto).  Willie Nelson is equally emotive, in his understated fashion, and Miles Davis‘ last great group adds fire to heartbreak in an incredible tribute to Duke Ellington–stunningly and completely timeless music, it exists outside of all genre boundaries.  Lard Free provide an abstract electronic transition into the unbelievably soulful simplicity of trans-Carribean-South-American-British group Cymande.  This is accessible music, but it is in no way shallow, and I hope you find the combination of sounds rewards return visits.   Full tracklist and download link for this LP-length mix (with full “sleeve art” and “liner notes”) at the “more…” link.  If you like what’s going on here at Musicophilia, please take a moment to participate in our 1st Birthday poll and CD giveaway drawing.  Your feedback is very much appreciated!

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[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Two (1974-1977)

Posted in Mixes, Talking by Soundslike on September 21, 2009

Following the first volume of the ‘Le Mystère de la Musique‘ series, here’s ‘Volume Deux,’ which continues to explore the music that links the seemingly disparate sonic strands on which Musicophilia mixes have focused–especially early 70s funk- and art-rooted music and late 70s/early 80s post-punk.  This mix retains the off-center, mysterious quality of the series, but is perhaps a little funkier and more pop-oriented, featuring some very catchy music indeed.

Volume Two‘ begins and ends with quiet ruminations on the joys and pitfalls of love from Kevin Ayers and long-lost German chanteuse Sibylle Baier.  The nebulous territory between “Prog” and post-punk, “proto-punk” and new pop is mapped out here by artists like David Bowie, (very early, very catchy) Laurie Anderson, and Television, with Brian Eno and This Heat adding minimalist textural links.  French artists Emmanuelle Perrenin (usually a more pastoral musician, but here found creating a completely out-of-time hip-hop beat) and Albert Marcoeur add a touch of RIO sophistication.  Robert Wyatt approximates a New Orleans jazz funeral dirge through a lamp-lighted street, and vibraphonist Roy Ayers brings the big-beat  jazz-funk to close out Side A.  Luciano Cilio creates sensitive, minimal music that presages the understated experimentation of beautiful modern chamber group Penguin Cafe OrchestraAugustus Pablo floats his famous melodica over one of the funkiest dub tracks ever made.   Among the least known artists found here, Canadian Lewis Furey struts confidently through his sophisticated art-pop that envelopes many of the sounds found elsewhere on the LP–jazzy drumming and brass arrangements, funky bass, pop harmonies, vibraphones and a sweet-and-sour wit.  Full tracklist and download link for this LP-length mix (with full “sleeve art” and “liner notes”) at the “more…” link.

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[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume One (1973-1977)

Posted in Mixes, Talking by Soundslike on September 15, 2009

The ‘Le Mystère de la Musique‘ series progresses the Musique du Monde label into the under-appreciated mid-70s, bridging the gap between the late-60s/early-70s ‘Le Tour du Monde‘ and ‘Les Miniatures‘ mixes and Musicophilia’s post-punk mixes.  Appropriately for a time that sits in the shadow of the more well-loved musical “peaks” before and after, ‘Le Mystère‘ explores a nocturnal, ambiguous territory that is perhaps more understated but also more bewitching than the other Musique LPs.  The fantastic beats are still featured, and the genre-eschewing, world-spanning ethos remains in place.  But there is a greater emphasis here on spaciousness, noirish shadow and light, and slow-boiling sexiness–on mystery.

Volume One‘ opens with three tracks–by Henri Texier, Joni Mitchell, and a very young but already ambitious Arthur Russell–that set the mysterious, unclassifiable tone of ‘Le Mystère‘.  Osama Kitajima amps things up with an avant-metal-cum-kabuki sound.  Musique concrete master Bernard Parmegiani provides an abstract interlude, while Lou Reed brings the first side to a close with a dose macabre humor.  Alan Parker and John Cameron, sound library kings, open Side B in a mellow grove, and Brigitte Fontaine and Areski echo Texier’s French-via-Central-Asian exoticism.  Italians Le Orme follow the direction laid out by Franco Battiato into sci-fi-tinged Prog that doesn’t need to show off its chops to be effective.  Sun Ra simmers one of the Arkestra’s funkier, more laid-back numbers, and Harmonia bridges to Iggy Pop‘s dark masterpiece “Nightclubbing”.  The untouchable Hamilton Bohannon closes the record with one of his sexiest, most intoxicating sophisticate-disco grooves, sending us off into late-night ecstasy.  Full tracklist and download link for this LP-length mix (with full “sleeve art” and “liner notes”) at the “more…” link.

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[Musicophilia] – Visual Mix Index

Posted in Mixes, Talking by Soundslike on September 13, 2009

Musicophilia’s 1st birthday is coming up soon, and by then the blog will feature over 50 mixes! In order to make them easier to find, I’ve created a Visual Mix Index. I’m posting it here as a blog post, but it will be permanently available (and updated) at this page. So if you’ve missed some mixes–go grab them, and I hope you’ll hear new sounds to love. Thanks so much for listening!

[Musique du Monde]

Musique du Monde is a faux-reissue series focused generally on the music of the 70s, bleeding slightly into the 60s and the 80s. Across the “LPs” from the “label” you’ll find an eclectic but carefully crafted blend of the well known and the unknown, from around the world. On any one “side” you’ll find funk, pure pop, psychedelia, fusion and electric jazz, prog, proto-punk, progressive folk, singer-songwriter, sound library recordings, Euro-funk, art rock, early electronics, musique concrete, and on later-era mixes, disco, proto-electro and a bit of post-punk. The Musique du Monde label never existed–but it should have.

[Musique du Monde] – ‘Le Tour du Monde, Volume 5′ (1967-1971)

[Musique du Monde] – ‘Le Tour du Monde, Volume 7′ (1967-1973)

[Musique du Monde] – ‘Le Tour du Monde, Volume 4′ (1968-1971)

[Musique du Monde] – ‘Les Miniatures, Volume 12′ (1971-1975)

[Musique du Monde] – ‘Les Miniatures, Volume 3′ (1967-1971)

[Musique du Monde] – ‘Les Miniatures, Volume 14′ (1972-1975)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 1’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 2’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 3’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 4’ (1977-1981)

[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume One (1973-1977)

[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Two (1974-1977)

COMING SOON: [Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Three (1972-1977)

[Sensory Replication Series]

The ‘Sensory Replication Series‘ mixes are my personal favorites at Musicophilia. My aim is to create a new whole from existing parts, inspired by cinema and binaural field recordings, that hopefully offers a new listening experience even if some of the music is familiar. These are by far my most intricately constructed mixes, weaving together up to half a dozen elements (songs, tracks, and custom-made remixes, versions, and new additional sound) at any given time, spanning decades and cross-pollinating genres, and creating a seamless journey. Headphones recommended.

[Sensory Replication Series] – ‘Collide\Coalesce’ (1950-2004)

[Sensory Replication Series] – ‘Gloaming’ (1731-2005)

[Sensory Replication Series] – ‘The Somnambulist’ (1908-2007)

[Sensory Replication Series] – ‘Tall Stories of Evil Gris-Gris’ (1915-2007)

[Sensory Replication Series] – ‘Adrift’ (1969-2001)

[Post-Punk Mixes]

These mixes explore the endlessly innovative, past-gobbling and future-seeking world of “post-punk,” a term so meaning-stretched as to be almost meaningless that you nevertheless know-it-when-you-hear-it. My aim with post-punk mixes is to give the well-loved names their due but to celebrate the unadulterated fecundity of the years 1977-1983 (or so) through equal exploration of the much less well-known names and sounds.

[1981] - 'Feet' (2005)

[1981] - 'Convertible' (2005)

[1981] - 'Brain' (2005)

[1981] - 'Amplifier' (2005)

[1981] - 'Heart' (2005)

[1981] - 'Cassette' (2005)

[1981] - 'Computer' (2005)

[1981] - 'Fire' (2005)

[1981] - 'Ice' (2005)

[1981] - 'How To Say 1981 In German' (2005)

[Miniatures] - ‘Post-Punk No. 1′ (1977-1983)

[Miniatures] - ‘Post-Punk No. 2′ (1975-1983)

[Miniatures] - ‘Post-Punk No. 3′ (1976-1983)

[One-Off] - ‘Post Post-Punk′ (1983-1994)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 1′ (1978-1983)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 2′ (1979-1983)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 3′ (1979-1983)

[Post-Punk Covers Classics] – Various – ‘No Heroes’ (1982)

[One-Offs and Albums]

While Musicophilia tends to concentrate on creating curated series, there’s always room for one-offs, single-artist mixes and other excursions. I’ve also shared a few albums of my own, very tiny music as Soundslike, which might appeal to fans of Penguin Cafe Orchestra, Christian Fennesz, or Nick Drake.

[Soundslike] – ‘Complicity’ (2001)

[Soundslike] – ‘The Irish Sea’ (2001) + ‘Full of Blue-Green Blood’ (2004)

[Soundslike] – ‘A Where Was And Isn’t Anymore’ (1999)

[One-Off] – ‘Get Off My Lawn, 2008!’ (2008)

[One-Off] – ‘Still’ (1630-1999)

[Miniatures Series] – ‘Lullaby No. 1′ (1957-2004)

[Miniatures Series] – ‘Lullaby No. 2′ (1903-2004)

[One-Off] – ‘Musicophilia Daily - Week One Sampler

[One-Off] – ‘Electromance’ (1969-2006)

[One-off] – Can – ‘The Church of Latter-Day Can, Book One’ (1975-1979)

[One-Off] – Can – ‘The Church of Latter-Day Can, Book Two’ (Beyond Can, 1977-1984)

[Full Album] – Phantom Band (with Jaki Liebezeit) – ‘Phantom Band’ (1980)

[Guest Mixes]

Musicophilia has had the honor of hosting a number of fantastic guest-mixes put together by talented musicians who also happen to be passionate listeners. These mixes dovetail nicely with the Musicophilia sensibility, but add their own much-appreciated flavors.

[Guest Mix] – ‘Human Heads’ (Mixed by Ettiem)

[Guest Mix] – ‘Spring2009Mix’ (Mixed by The Subcons)

[Guest Mix] – ‘Good Morning,’ (Mixed by The Harvey Girls)

[Guest Mix] – ‘Afternöön Röck Blöck’ (Mixed by The Harvey Girls)

[Guest Mix] – ‘Somniloquies’ (1931-2009) (Mixed by Love, Execution Style)

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[Musicophilia] – Visual Mix Index (2008-2009)

Posted in by Soundslike on September 13, 2009

Through Musicophilia’s first year, I and guest-mixers have put together over 50 mixes–and in order to make them easier to find, I’ve created this visual index, which will be updated with new mixes as they occur. Most Musicophilia mixes are part of ongoing series, so if you’ve enjoyed some, hopefully you’ll enjoy the others. Links are to the original blog posts, which include a brief description, tracklist, artwork, and the download link. To see a mix title, hover over the cover image; click the covers to download the mixes. Thanks as always for listening! (The best way to keep up with new mixes is to subscribe to Musicophilia.)

[Musique du Monde]

Musique du Monde is a faux-reissue series focused generally on the music of the 70s, bleeding slightly into the 60s and the 80s. Across the “LPs” from the “label” you’ll find an eclectic but carefully crafted blend of the well known and the unknown, from around the world. On any one “side” you’ll find funk, pure pop, psychedelia, fusion and electric jazz, prog, proto-punk, progressive folk, singer-songwriter, sound library recordings, Euro-funk, art rock, early electronics, musique concrete, and on later-era mixes, disco, proto-electro and a bit of post-punk. The Musique du Monde label never existed–but it should have.

[Musique du Monde] – ‘Le Tour du Monde, Volume 5′ (1967-1971)

[Musique du Monde] – ‘Le Tour du Monde, Volume 7′ (1967-1973)

[Musique du Monde] – ‘Le Tour du Monde, Volume 4′ (1968-1971)

[Musique du Monde] – ‘Les Miniatures, Volume 12′ (1971-1975)

[Musique du Monde] – ‘Les Miniatures, Volume 3′ (1967-1971)

[Musique du Monde] – ‘Les Miniatures, Volume 14′ (1972-1975)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 1’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 2’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 3’ (1977-1981)

[Musique du Monde] – ‘The Best of Les Rythmes du Monde, Volume 4’ (1977-1981)

[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume One (1973-1977)

[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Two (1974-1977)

[Musique du Monde] – ‘Le Mystère de la Musique,’ Volume Three (1972-1977)

[Sensory Replication Series]

The ‘Sensory Replication Series‘ mixes are my personal favorites at Musicophilia. My aim is to create a new whole from existing parts, inspired by cinema and binaural field recordings, that hopefully creates a new listening experience even when some of the music is familiar. They are by far my most carefully constructed mixes, weaving together up to half a dozen elements (songs, tracks, and custom-made remixes, versions, and new additional sound) at any given time, spanning decades and cross-pollinating genres, and creating a seamless journey. Headphones recommended.

[Sensory Replication Series] – ‘Collide\Coalesce’ (1950-2004)

[Sensory Replication Series] – ‘Gloaming’ (1731-2005)

[Sensory Replication Series] – ‘The Somnambulist’ (1908-2007)

[Sensory Replication Series] – ‘Tall Stories of Evil Gris-Gris’ (1915-2007)

[Sensory Replication Series] – ‘Adrift’ (1969-2001)

[Post-Punk Mixes]

These mixes explore the endlessly innovative, past-gobbling and future-seeking world of “post-punk,” a term so meaning-stretched as to be almost meaningless that you nevertheless know-it-when-you-hear-it. My aim with post-punk mixes is to give the well-loved names their due but to celebrate the unadulterated fecundity of the years 1977-1983 (or so) through equal exploration of the much less well-known names and sounds.

[1981] - 'Feet' (2005)

[1981] - 'Convertible' (2005)

[1981] - 'Brain' (2005)

[1981] - 'Amplifier' (2005)

[1981] - 'Heart' (2005)

[1981] - 'Cassette' (2005)

[1981] - 'Computer' (2005)

[1981] - 'Fire' (2005)

[1981] - 'Ice' (2005)

[1981] - 'How To Say 1981 In German' (2005)

[Miniatures] - ‘Post-Punk No. 1′ (1977-1983)

[Miniatures] - ‘Post-Punk No. 2′ (1975-1983)

[Miniatures] - ‘Post-Punk No. 3′ (1976-1983)

[One-Off] - ‘Post Post-Punk′ (1983-1994)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 1′ (1978-1983)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 2′ (1979-1983)

[Women of Post-Punk] - ‘The Young Lady’s Post-Punk Handbook, Vol. 3′ (1979-1983)

[Post-Punk Covers Classics] – Various – ‘No Heroes’ (1982)

[One-Offs and Albums]

While Musicophilia tends to concentrate on creating curated series, there’s always room for one-offs, single-artist mixes and other excursions. I’ve also shared a few albums of my own, very tiny music as Soundslike, which might appeal to fans of Penguin Cafe Orchestra, Christian Fennesz, or Nick Drake.

[Soundslike] – ‘Complicity’ (2001)

[Soundslike] – ‘The Irish Sea’ (2001) + ‘Full of Blue-Green Blood’ (2004)

[Soundslike] – ‘A Where Was And Isn’t Anymore’ (1999)

[One-Off] – ‘Zygotic’ (After the Flaming Lips' 'Embryonic')

[One-Off] – ‘Get Off My Lawn, 2008!’ (2008)

[One-Off] – ‘Get Off My Lawn, 2008!’ (2008)

[One-Off] – ‘Still’ (1630-1999)

[Miniatures Series] – ‘Lullaby No. 1′ (1957-2004)

[Miniatures Series] – ‘Lullaby No. 2′ (1903-2004)

[One-Off] – ‘Musicophilia Daily - Week One Sampler

[One-Off] – ‘Electromance’ (1969-2006)

[Decade-End] - 'A Decade in the Dark' (2000-2009)

[One-off] – Can – ‘The Church of Latter-Day Can, Book One’ (1975-1979)

[One-Off] – Can – ‘The Church of Latter-Day Can, Book Two’ (Beyond Can, 1977-1984)

[Full Album] – Phantom Band (with Jaki Liebezeit) – ‘Phantom Band’ (1980)

[Guest Mixes]

Musicophilia has had the honor of hosting a number of fantastic guest-mixes put together by talented musicians who also happen to be passionate listeners. These mixes dovetail nicely with the Musicophilia sensibility, but add their own much-appreciated flavors.

[Guest Mix] – ‘Human Heads’ (Mixed by Ettiem)

[Guest Mix] – ‘Spring2009Mix’ (Mixed by The Subcons)

[Guest Mix] – ‘Good Morning,’ (Mixed by The Harvey Girls)

[Guest Mix] – ‘Afternöön Röck Blöck’ (Mixed by The Harvey Girls)

[Guest Mix] – ‘Somniloquies’ (1931-2009) (Mixed by Love, Execution Style)

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[Welcome] – A Recap and An Update

Posted in Talking by Soundslike on April 14, 2009

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The last couple months have seemed a little slower than usual, but looking back there’s still been some stuff I’m proud of.  I hope to get back to full speed, starting today with the newest installment from the faux Musique du Monde label, ‘Les Miniatures, Volume 14‘.   But to recap since mid-February: there’ve been further additions to ‘1981,’ including the 8th mix, ‘Fire;’ the first set of ‘Briefcase‘ tracks; and a new Deutsche Neue Welle in ’81 mix.   There’s was also ‘Electromance,’ an accessible electronic pop mix; another album of my own work; and a unique guest-mix covering music from the very edge of now.   I also hope you caught the “blog-swap” that resulted in this amazing guest mix and one of my favorite Musicophilia mixes, ‘Tall Stories of Evil Gris-Gris;’ and finally, the first ‘Sensory Replication Series’ mix, of which I’m really fond, called  ‘Adrift‘.

There will be more Musique mixes soon, as well as a trilogy of ‘Post Post-Punk’ mixes expanding on the original.  Additionally, I hope you’ll visit Musicophilia Daily, where I’ve been loving the freedom of posting anything and everything, and trying to say a little something about it all (here’s a sampler from the first week, and it’s only gotten better since then, IMO).  Finally, the call is still out for music by Musicophilia listeners to be featured at Daily and potentially in a for-and-by-the-listeners mix right here.  As always, thanks for listening!

UPDATE: Ok, well, still running a little busy and behind here–but new mixes will return soon.  In the meantime, I hope you’ll give recent mixes a listen.  Thanks!

[Women of Post-Punk] ‘The Young Lady’s Post-Punk Handbook, Vol. 1’

Posted in Mixes, Talking by Soundslike on January 27, 2009

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The first mix of a three-part series, Volume 1 of ‘The Young Lady’s Post-Punk Handbook’ is Musicophilia’s first mix-by-request, based on a 2-disc set I put together several years ago [here are ‘Volume Two‘ and ‘Volume Three‘].  Yet another reason I view “post-punk” as both distinct from and superior to “punk” is that it has little need for the traditional machismo of hard/arena/punk rock; indeed, it might be argued that a degree of political feminism and personal androgyny were prized or even required qualities of the ideal post-punk artist.  While I’m sure the ideal was rarely achieved, it would be hard to deny that seldom in its history has the Boys Club of Rock and Roll been more infiltrated by women as equal participants.  In a way, it seems slightly odd to explore “the role of women in post-punk” because I don’t want to ghettoise or marginalise it–women were so central that there is none of the feeling of searching for exceptions to the rule here: many of the artists featured are Big Names, who’d make any top-40 list of Most Important Post-Punk Bands.  However, singling women out only illustrates their centrality: you could play these mixes for a post-punk neophyte, and they would come away with a good sense of the breadth and depth of the fertile era/ethos; but they might not even notice, if you didn’t point it out, that the mix focuses on women.   So listen with your Gender Studies and Subaltern Political History caps on if you want–but you certainly won’t have to.  As long as you’re enjoying the music–and there’s no shortage of top-shelf tracks here–you’re getting what is important about the shifts post-punk brought to art-rock music.

‘Volume 1’ features performance artists, No-Wave inheritors, gentle proto-indie singer-songwriters, ska revivalists, dance-funk-disco popularizers, artsy weirdos, west-coast pop-punks, agit-prop art-punks, and more from between 1978 and 1983.  You’ll find Laurie Anderson; Delta 5; The Go-Go’s revealing a more pensive side; Raincoats deconstructing rock; X; Flying Lizards; Jane Hudson; Crass; Blondie; very early Sonic Youth; Selecter; Marine Girls; Lizzy Mercier-Descloux; and the lovely post-Young Marble Giants project Weekend.  Further volumes feature Family Fodder, Au Pairs, Pylon, The Slits, B-52s, Y Pants, Cocteau Twins, E.S.G., Lydia Lunch, The Pretenders and others.  These mixes make a nice companion to the ‘1981′ series, and I’ve avoided any track overlap with that or other post-punk mixes.  Download link and full tracklist (along with an update on upcoming mixes) after the “more…” link.  [Update: and here is ‘Volume Two‘ and ‘Volume Three‘]

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Thanks, an Introduction, and the Future

Posted in Talking by Soundslike on December 18, 2008

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Thanks & An Introduction

Musicophilia seems to have had an electronic guardian angel: in a little over 24 hours, the blog has had over 3,000 visits, with over 500 mixes downloaded!  This one day now accounts for nearly one quarter of all the traffic Musicophilia has recieved in its just-over-two-months existence.  This means a whole lot of people have potentially heard music they hadn’t before, which is the mission of the blog, and that’s exciting.  So I can only say, thank you!  And welcome to all the new visitors (look here for what I set out to do with Musicophilia).  You were directed here for the ‘1981‘ mixes (of which there are at leats four more to be posted), and I am very proud of that project and happy to see it have a second life years after its original release.  But I would also encourage you to check out some of the other mixes and series going here, which I’ll introduce below the “more…” link—please take a look.

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[Musique du Monde] – ‘Le Tour du Monde, Volume 4′ (1968-1971)

Posted in Mixes, Talking by Soundslike on December 9, 2008

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Back again with the third “reissued” release in the ‘Le Tour du Monde‘ series: ‘Volume 4,’ covering 1968 to 1971.  The mood here is a little spookier, a little funkier, a little rawer, the beats are more to the fore.  But if you’ve heard any of the previous volumes, you can probably anticipate what’s in store: a heady post-Psych, post-Funk stew from a time of boundless exploration and fusion and invention.  Crazy Moogs, slinky harpsichords and Rhodes, choppy guitars, break-worthy drums, soaring strings, Tropicalia- or Indian-tinged percussion, horizon-expanding musique concrete production techniques, fuzz-bass as a lead instrument, sunny pop melodies, heartbreaking singer-songwriting, literal bells and whistles—all unstoppably funky.  There is a proto-electro Beethoven cover, a Japanese take on Jefferson Airplane, a Greecian take on “All Along the Watchtower,” a Moog-and-choral take on “Peace Train”.   Library sound, West Coast psych-rock, soundtracks, experimental 20th century composers, Motown and Motown-on-the-Seine (or Motown in the Outback, etc.).  Over fifteen countries, thirty-five artists and tracks, 2LPs, 100 minutes.

Naming names: you’ll find The Velvet Underground, Yoko Ono (in ghostly ballad form), Isaac Hayes, Nico, Curtis Mayfield, Miles Davis (featuring Sonny Sharrock’s echoplex madness), Can, and Stevie Wonder.  Then there are Brits Bill Fay, Roy Budd and weirdo-folkster Simon Finn; Moogists Gershon Kingsley and Hugo Montenegro; Italian purveyors of the beat Piero Piccioni, Giancarlo Gazzani, and Ennio Morricone in a poppy form; Jorge Ben from Brazil, Yuya Uchida & The Flowers from Japan, Swamp Salad from Australia, Saka Acquaye from Ghana and The Funkees from Nigeria.  Yugoslav sound librarian Janko Nilovic shows up here as Andy Loore.  Composers Vladimir Ussachevksy and Gyorgy Ligeti fit in with German Bruno Spoerri (a Can compatriot), Dionysis Savopoulos from Greece, and lesser-known Americans like The Open Window, Stark Reality, Black Heat, The United States of America, and revered jazz-funk bassist Monk Montgomery.  And of course, Musique du Monde represents la Patrie with Francis Lai, Trust, and Jean-Jacques Perrey with classic sample-fodder.  Tracklist, full album art, liner notes, and complete download follow the “more…” link.

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A Request

Posted in Uncategorized by Soundslike on November 29, 2008

I noticed today that the most recent uploaded mix, ‘Les Miniatures, Volume 3‘ seemed to have been removed from the uploading site (I’ve re-upped it, in case you were unable to grab it).  If anyone finds a mix unavailable, please let me know via a comment in the relevant post.  Hopefully this is just some technical glitch and it won’t happen again.  Hope everyone is enjoying the music.

[Musicophilia] – Musicophilia’s 1st Birthday! (With a Poll)

Posted in Talking by Soundslike on October 4, 2009

October 4th marks the one-year anniversary of Musicophilia’s first post and first mix, and in that time the blog has featured almost one mix for every week (indexed here), which between them have been downloaded over 15,000 times with nearly 70,000 views and at least 200 subscribers.  The “internet famous1981 Box Set from 2005 was finally made available in full to a broader audience; a whole new (fake) reissue label was born, Musique du Monde, to explore the wonderful sounds of the 60s and 70s; the Miniatures Series provided you full listening experiences in 2-minute doses; and the experimental and cinematic Sensory Replication Series hopefully found its way through a few headphones in the dark.  Toss in a bunch of one-off mixes, single-artist features, fantastic guest-mixes and even a few full albums, and the blog now has a pretty substantial “back catalogue”.

[Note: Please take a moment to participate in the year-one Musicophilia poll, and leave a comment to be entered into a drawing for free Musicophilia-approved CDs, after the “more…” link.]

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[Women of Post-Punk] ‘The Young Lady’s Post-Punk Handbook, Vol. 3′

Posted in Mixes, Talking by Soundslike on February 7, 2009

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Completing a triology (for now) of mixes focusing on leading female artists of the post-punk milieu, here is ‘The Young Lady’s Post-Punk Handbook, Volume Three’.  Taken with volumes One and Two, the mix serves as an introduction to what is arguably the least male-centric, most maleable and voraciously all-encompasing form rock and roll has ever taken in post-punk of the late 70s and 80s.  I generally view post-punk an extension of the artistic sensibilities of outre music of the late 60s and 70s (from the Velvet Underground and the Stooges to Can and Faust to Kraftwerk and Roxy Music, but also infused with heady funk, dub, Afrobeat and even musique concret); but even these predecessors tended to work in male-dominated idioms (though giving us major post-punk fore-mothers like Nico, Yoko Ono and Brigitte Fontaine).  One could argue for both a political and artistic “feminine/feminist” quality in post-punk (as made by women, but also by many men); and music on these mixes could be cited as evidence of newly heard female qualities brought to an interpretation of rock in these years.  But what’s interesting to me is that the women of post-punk seem to have felt completely free to express their feminine and masculine and simply human qualities freely. Few female musicians of post-punk seem to be “playing a man’s game,” nor presenting a “version” of the main channel, nor catering to male expectations of the Rock Chick (certainly not in an unproblematised, unironic way).  These figures stand as central to my understanding of this sort of music as any men.  And I feel they’re recognised broadly as pillars of the music.  But having presented these mixes, I’d be very keen to hear your ideas: had you ever thought particularly one way or another about women in post-punk; are there identifiable ways in which women shaped post-punk, or was post-punk simply rock’s first androgynous embodiment; do you agree women are central to the story of post-punk, or were they in fact marginalised at the time? (I’d be especially curious to hear the experiences of those of you who were “there,” and not in diapers like myself.)  As for ‘Volume Three’ specifically: this mix is perhaps slightly spookier, more off-kilter, and a little darker than the previous two mixes.  And yet–I think you’d be hard pressed to fit much of it into a traditional “femme fatale,” “chanteause” mold.  There are as many unique and individual voices here as there are artists.

Included artists this round are the Creatures, Siouxsie’s percussion-centric vehicle; early Eurythmics and Phew, both featuring the ryhthm (and loops) section of Can; beat-happy ESG, Maximum Joy, and Los Microwaves; ever-enigmatic and very underrated Ludus; scuzzy electro-weirdos Crash Course in Science, primed for rediscovery; Grace Jones at her most post-punk, making her own thing of Iggy Pop; New York queen Lydia Lunch with her own inimitably cracked and macabre take on “Gloomy Sunday;” under-heard Marilyn & The Movie Stars of the fecund post-No Wave scene; the quietly forceful Young Marble Giants; and the unabashedly epic and “rock-y” Pretenders.  Full tracklist and download link follow “more…”.  [I’d like to welcome the readers of the Typical Girls mailing list–I’d certainly love to hear your take on what all this music means!  Your intro page alone captures the bulk of the remaining artists I’ve got in mind for future volumes of this series.  You’ll also want to check out the ‘1981‘  and ‘Post-Punk Miniatures‘ series and the ‘Post Post-Punk‘ mix, if you get a chance–but I imagine you’d find a lot to like in the pre-punk material on which Musicophilia also focuses.]

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Three Months On. . .

Posted in Talking by Soundslike on January 3, 2009

One-quarter year in, and it’s been a heck of a trip so far.  There’s been so much greater a response than I ever considered possible, and what began as “just a repository for old mixes” has become a real project, something that’s made a habit of which I was almost embarrassed seem worthwhile and quasi-respectable.  Even my girlfriend has said she approves of my “time well wasted”.  Three months, nearly 16,000 visits, 3,400 mixes heard, 21 mixes and albums posted, dozens of comments and links.  I thank each and every one of you who has listened, downloaded, commented, corresponded, told friends, and linked to or blogged about the project.  Your participation makes what could otherwise be a rather solitary hobby into something that feels like a community undertaking, and I encourage anyone to talk to me about cross-posts, guest-mixing, co-blogging, or any other project we can come up with.  I’ve got a lot planned, nearly 20 mixes nearing completion or under way, so I hope the well won’t dry up any time soon, as long as people trust their ears to mine.  This love of music is that much better when it’s shared.  As always, comments are very much appreciated, so let me know what you’d like to see next, or suggest ideas, make requests, etc.  Click the “more…” link for a visual summary of all the mixes issued thus far in chronological order, and a sneak-peak of what’s soon to come.  Check here and here for more information about Musicophilia in general.  Thanks, and I hope you’re enjoying the music.

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[1981] – ‘Cassette’ Mix (2005)

Posted in Mixes, Talking by Soundslike on December 22, 2008

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‘Cassette’ is the sixth of nine mixes from the ‘1981’ box set to be posted here at Musicophilia (the first five can be found here, with detailed information about the project at the first mix, ‘Feet‘).  The mix began with a focus on the lo-fi and twee strains of post-punk in the box’s 1st edition.  By this, the 4th edition revision, the disc had mutated into something rather broader.  There’s still a commonality of unabashedly amateur means, a certain ramshackle sensibility, and a decided quirkiness that means you’ll mistake none of it for, say, Echo & The Bunnymen.  But stylistically and sonically, ‘Cassette’ became one of the most eclectic mixes in the set.  Partially this can be credited to its ‘Miniatures‘-like emphasis on brevity: 35 artists and tracks in its CD length means it never lingers any one place too long.  But in the odder, proto-home-recording edges of post-punk, limited means did not shape the aesthetic as much as with later, more voluntarily “lo-fi” music.  So here you’ll find cassette-trade-worthy takes on perfect pop, bristly punk, electropop, DNW, proto-Indie, Rock in Opposition, avant garde feminist art-rock, with an emphasis on the scruffier, scuzzier end of early synthpunk.

There are a few “known” names here (now, whether they were so much at the time): The Clean, Felt, Tall Dwarfs, Half Japanese, The Fall, Television Personalities, and the Violent Femmes.  But this disc almost certainly has the highest percentage of any ‘1981’ disc of unknowns-to-be-known-later and pretty-much-always-unknowns.  The artists you do know, but in early permutations or flying solo: Laughing Apples feature Andrew Innes later of Primal Scream; Ben Watts shows up here solo, best known as one half of Everything But the Girl with ex-Marine Girl Tracey Thorn; Biting Tongues included Graham Massey, later of 808 State; Plasticland is here in their earliest iteration (with Brian Ritchie of the Femmes), as are Aztec Camera.  There are Midwesterners (including many Hoosiers) like Social Climbers, Dow Jones & The Industrials, Dancing Cigarettes, Amoebas in Chaos, Philosophic Collage, and Human Switchboard; West Coasters The Beakers, Nervous Gender, Monitor, and Voice Farm; and excellent New Yorkers Thick Pigeon.  Not American are the 49 Americans, a well-connected London artist-amateur coalition that included David Toop; along with other Brits like Ludus (sometimes known for being Morrissey’s pals), The Fall-related Blue Orchids, recently-reissued Diagram Brothers, and Flux of Pink Indians; lovely French Young Marble Giants doppelgangers Fall of Saigon; and Germans Der Plan and the very reissue-worthy Neonbabies.  All this, on two sides of the elusive C80: the perfect sound for your new Walkman or Stowaway.  Full tracklist and download link after the “more…” link.

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[Sensory Replication No. 2] – ‘Gloaming’ (1731-2005)

Posted in Mixes, Talking by Soundslike on October 27, 2008

Though it’s not the denotative meaning of the word, for me, “gloaming” connotes ambiguity, a tension between the waning day and encroaching night, a feeling that is beautiful yet tinged with some regret or trepidation—there’s more complexity and mystery to it than a simple synonym to “twilight”. And that beautiful tension is the feeling I’ve tried to create here, as well as a concept that informed the methodology behind the mix (more on that later). ‘Gloaming’ is the second mix I made seeking to create quasi-binaural “field recordings,” to create an immersive journey through an almost physical space constituted of (mostly) musical sound. (For convenience, I’m calling such mixes the “Sensory Replication Series,” an idea explored in somewhat greater detail here). You probably already know most of the artists featured in this mix—Tangerine Dream, Tony Conrad, Mozart, Xenakis, Keith Jarrett, Reich, Cage, Bjork, Eno, Low, 23 Skidoo, Holger Czukay, Vivaldi, Cluster—but I hope that the combinations, contextualisation and sum total make something you haven’t quite heard before. (I’d also like to make special mention of the track “Heathering Blues” by “unknown” Matt Anders, definitely the most emotionally satisfying thing I’ve ever known to originate with Fruity Loops)

This is my favorite short mix I’ve made so far, and despite its brevity (less than twenty-eight minutes) it feels like a full journey. It’s more or less the opposite of the spastic flailing of the ‘Miniatures : Post-Punk’ mixes, in that each section leads very much to the next, and there is a careful and unhurried sense of direction at all times. But like those mixes, it’s a good way to get a lot of listening done in a short amount of time—though this is “headphone listening” to be sure, not so suited for cruising down the highway or running errands. While I’ll tag it “avant-garde,” if you were to try any mix such tagged as a way in, it would be this one. A little more rambling, the tracklist, and full download after the “more…” link. If you do find you like this one, then check out the first posted ‘Sensory Replication’ mix posted here.

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