Musicophilia

[1981] – ‘Heart’ Mix (2005)

Posted in Mixes, Talking by Soundslike on December 15, 2008

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‘Heart’ is the fifth compilation from the ‘1981′ box set, originally compiled and released 2004-2005 (the previous four can be found here, and more information about the project and as a whole and photos of the box are here).  Most of the time, “post-punk” has a spiky connotation, and an artsy reputation; words we would commonly associate with the period/movement/ethos are iconoclastic, political, contrarian, weird, Modernistic, futuristic, maybe even danceable and funky, in a wiry sort of way.  But one idea we might not think of very quickly is “emotional,” unless the brooding, gloomy sub-genre dominates our perception.  But even “gloomy” is almost more of an idea of an emotion than an emotion itself; a pose of sadness, a melodrama that does not particularly convey itself directly to any listener not already striking a similar pose.  This mix, then, was meant to shed a little light on the occurrence of more mature, fully-fledged emotion: the earnest, the hopeful, the broken, exultant, desperate, dreaming, nostalgic, regretful, passionate, uncertain, and sometimes viscerally angry heart of post-punk.

Most of the other discs in the set were compiled primarily around particular sonic criteria, so in some ways this is one of the more eclectic of the nine.  Musically there is a tendency toward simplicity, a degree of spareness, an un-punk sense of restraint; but other moments snarl or get a little anthemic, and others are unabashedly poppy.   Among the tracks here are some of my very favorite from 1981: The Cure‘s inimitable (would that none had tried) “All Cats Are Grey,” post-Young Marble Giants the Gist with “Love At First Sight,” Gang of Four‘s Achilles-like tale of “Paralysed,” OMD‘s bones-exposed “Romance of the Telescope” (one of the best b-sides of all time), Raincoats‘ “Only Loved at Night,” Talking Heads‘ biting-or-inspirational “Once In A Lifetime,” and perhaps most haunting, Japan‘s “Ghosts” (which, were it not for Laurie Andersons chart-penultimate ‘O Superman,’ would have to be one of the most unlikely singles of all time).   But the Passions, Depeche Mode, Elvis Costello, Durutti Column, Buzzcock Pete Shelley, The Sound, New Order, This Heat, Gary Numan, Psychedelic Furs, MX-80, Ultravox, and the other post-Young Marble Giants act featured here, The Weekend, are all represented here by some of their best work, too.  This would have to be the darkhorse contender for best disc in the set, so if you have hesitated to check them all out before, pick up again here and work your way back.  Full tracklist and download link after “more…”.  Four more ‘1981’ mixes remaining. . .

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[Full Album] Soundslike – ‘Complicity’ (2001)

Posted in Albums, Talking by Soundslike on October 22, 2008

As a break from the usual mix/compilation focus of Musicophilia, this morning I’m posting a full album.  And it’s one full album I have full confidence I’d never be sued or jailed for posting–because it’s one of the improvisational albums I recorded at the beginning of this decade.  This particular album is predominantly electronic, but too untrained (and manually created) to qualify as “IDM” or any sort of dance-rooted-music.  It’s rough, organic, sometimes a little ambient, spooky, menacing, disappointingly pretty, and despite all my intentions when I began recording, emotionally resonant above all else.

I post ‘Complicity’ simply because listening to it for the first time in a long while, it surprises me: it does seem to capture something about when it was recorded (10th-12th September, 2001) and the feeling of creeping uncertainty and desperate hope I have felt over the last eight years.  It may reflect none of that for anyone else, I don’t know.  On the eve of beginning as a people the process of healing and moving forward, while as deeply mired in the excesses and failures of our time as ever–the album feels surprisingly relevant to me, and it’s also not quite as musically trivial as I thought at the time.  I am not a musician, so this stuff was all improvised, cobbled together bit by bit with no existing framework, working on a feeling for sound alone.  Despite that fact, it’s surprisingly (annoyingly to me, at the time) song-like and listenable.  More rambling, tracklist and the download link follow the “more…”.

Sideways” (2001)

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