Musicophilia

[Full Album] – Chalsa Nepal – ‘Let Them See’ (1983)

Posted in Albums by Soundslike on April 1, 2009

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A Musicophilia first: sharing an utterly out-of-print album in full!  I’ve scoured the internet, including the encyclopedic Mutant Sounds, and nobody seems to have shared it yet, so I’m happy to make a first-source contribution.  The album is truly one-of-a-kind, and unfortunately almost a total mystery: its nine tracks are untitled, and I can find almost no information beyond what is written in the liner notes of the Russian “import” reissue promo that I picked up at Exiled Records.  So I’ll simply quote the notes here:

Let Them See‘ is the long-lost cornerstone of the nearly-forgotten but deeply influential post-post-punk Circuscore scene based in La Digue in the Seychelles from the early 1980s through the fall of the Berlin Wall. The album was produced jointly by Robert Gotobed of Wire and Albert Kuvezin (later of Tuvan thoat singing combo Huun-Huur-Tu), and features guest contributions from bassist Lemmy Kilmister, trombonist Peter Zummo, ex-Shangri-Las Mary Weiss, and string arrangements by future Fraggle Rock music director Don Gillis.

Chalsa Nepal combine their obvious debt to Crass, the bands of Les Disques du Crépuscule, and an abiding love for classic skiffle 78s with the longstanding Seychelles tradition of Circus Music derived from the islands’ French, African, Indian, and Chinese populations’ roots. ‘Let Them See’ (a title taken from a quote by band-hero Henry David Thoreau) is a free-wheeling set of neo-psychedelic disco-dirges and xylophone-led post-Soul proto-dubstep pop confections–albeit with a tendency toward Marxist-Feminist death metal darkness.

Says Sonic Youth’s Thurston Moore, “The first time I heard it, I hated it; but the second time, my brain turned around backwards in my skull. It changed me forever; I think it changed all of us.”

This is one you have to hear to believe.  Full tracklist and download link below the “more…”

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[Musique du Monde] – ‘Le Tour du Monde, Volume 4′ (1968-1971)

Posted in Mixes, Talking by Soundslike on December 9, 2008

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Back again with the third “reissued” release in the ‘Le Tour du Monde‘ series: ‘Volume 4,’ covering 1968 to 1971.  The mood here is a little spookier, a little funkier, a little rawer, the beats are more to the fore.  But if you’ve heard any of the previous volumes, you can probably anticipate what’s in store: a heady post-Psych, post-Funk stew from a time of boundless exploration and fusion and invention.  Crazy Moogs, slinky harpsichords and Rhodes, choppy guitars, break-worthy drums, soaring strings, Tropicalia- or Indian-tinged percussion, horizon-expanding musique concrete production techniques, fuzz-bass as a lead instrument, sunny pop melodies, heartbreaking singer-songwriting, literal bells and whistles—all unstoppably funky.  There is a proto-electro Beethoven cover, a Japanese take on Jefferson Airplane, a Greecian take on “All Along the Watchtower,” a Moog-and-choral take on “Peace Train”.   Library sound, West Coast psych-rock, soundtracks, experimental 20th century composers, Motown and Motown-on-the-Seine (or Motown in the Outback, etc.).  Over fifteen countries, thirty-five artists and tracks, 2LPs, 100 minutes.

Naming names: you’ll find The Velvet Underground, Yoko Ono (in ghostly ballad form), Isaac Hayes, Nico, Curtis Mayfield, Miles Davis (featuring Sonny Sharrock’s echoplex madness), Can, and Stevie Wonder.  Then there are Brits Bill Fay, Roy Budd and weirdo-folkster Simon Finn; Moogists Gershon Kingsley and Hugo Montenegro; Italian purveyors of the beat Piero Piccioni, Giancarlo Gazzani, and Ennio Morricone in a poppy form; Jorge Ben from Brazil, Yuya Uchida & The Flowers from Japan, Swamp Salad from Australia, Saka Acquaye from Ghana and The Funkees from Nigeria.  Yugoslav sound librarian Janko Nilovic shows up here as Andy Loore.  Composers Vladimir Ussachevksy and Gyorgy Ligeti fit in with German Bruno Spoerri (a Can compatriot), Dionysis Savopoulos from Greece, and lesser-known Americans like The Open Window, Stark Reality, Black Heat, The United States of America, and revered jazz-funk bassist Monk Montgomery.  And of course, Musique du Monde represents la Patrie with Francis Lai, Trust, and Jean-Jacques Perrey with classic sample-fodder.  Tracklist, full album art, liner notes, and complete download follow the “more…” link.

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[Musique du Monde] – ‘Le Tour du Monde, Volume 7’ (1967-1973)

Posted in Mixes, Talking by Soundslike on October 13, 2008

The second release in the ongoing ‘Le Tour du Monde‘ series, ‘Volume 7’ features more of the jaw-drop breakbeats, spinning bass lines, post-Psychedelic production flourishes, tape-manipulation and music concrete techniques, early electronic instrumentation, copious strings, harps, Hammonds, Rhodes, brass arrangements, matured post-folk singer-songwriter tunes, and illustrations of mutating funk as it made its way around the world.

Artists from twelve countries are represented, including sound library heroes like Janko Nilovic, Gerard Manset (a major discovery for those who love Serge Gainsbourg), Roger Roger, and Bernard Estardy; art kings Faust, Franco Battiato, and John Cale & Terry Riley (in supreme beat-centric mode); singer songwriter greats like Karen Dalton, Richie Havens, and Nick drake; as well as representatives of pure-pop, jazz-funk, post-psych and even surf-rock-supreme. Bobby Darin even makes an appearance, and if all you know is “Splish Splash” and the Las Vegas crooning, you’ll be in for a surprise. Tracklist, full album art, liner notes, and download link follow the “more…” link. For the previous release in this series, see ‘Le Tour du Monde, Volume 5‘.

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[Musique du Monde] – ‘Le Tour du Monde, Volume 5’ (1967-1971)

Posted in Mixes, Talking by Soundslike on October 4, 2008

A two-LP set of international beats, breaks, sophisticate funk, sweet organs, harpsichords, heavy bass lines, late psychedelia, bits of playful experimentation and musique concrete, squelching analogue synths, harps, strings, flutes, and a dash of autumnal musing as only the early 1970s could produce. A ‘found’ mix from the ‘legendary’ French Musique du Monde label and their ‘Le Tour du Monde‘ series, more volumes to follow.

Featuring bands and artists from 18 countries, including the well known and the far from it, ‘Volume 5’ blends a wide range of genres through commonalities in instrumentation and production into a whole that is exciting and yet accessible. You’ll hear Kraftwerk with Donovan; Moondog with Nino Nardini; Leo Kottke, Geraldo Pino, Eugene McDaniels, White Noise, El Kinto, Jean-Michel Jarre, Silver Apples, Roland Kovac, Shuggie Otis, Pierre Henry, Ennio Morricone’s Feed-Back, et al. Track listing, liner notes and the download link (including full artwork), beyond the break.

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